Volume 08 : Issue 02 : 2022
Narrativity & Multimodal Communication in the Age of New Media
Edited by: Nicolae-Sorin Dragan
Punctum. is a blind peer-reviewed, on-line journal dedicated to the semiotic study of contemporary cultural texts, practices and processes, published by the Hellenic Semiotic Society, member of the International Association for Semiotic Studies (IASS).
Aspiring to provide a venue for the advancement of international semiotic scholarship, the journal is published twice a year (July & December) in English, although submissions in French and German will be accepted as well. Punctum.’s Editorial Board reflects both its international scope and the diversity of contemporary semiotic research and theory.
Punctum. invites submissions (original research papers, review articles, book reviews) across a wide range of semiotic fields and methodologies on an on-going basis, and regularly puts out calls for special issues with guest editors. The journal’s contents are registered with CrossRef and indexed in Scopus and EBSCO.
Punctum Semiotics Monographs
VOLUME 1: Isabella Pezzini (ed.) Paolo Fabbri. Unfolding semiotics. Pour la sémiotique a venir
Table of Contents
Isabella Pezzini, To P.F. – Permanent center of gravity – Anna Mondavio, Paolo Fabbri, maître à penser de la sémiotique – Lucia Corrain, In the form of a biography. Semiotics as a way of life – Paolo Fabbri, Some thoughts on proxemics (and an update) – Pierluigi Basso Fossali, Institutions as double agents: programming discourses and modal adjustments – Lucia Corrain, The iconoclasm of the everyday – Jacques Fontanille, Paolo Fabbri: maître à penser, ami à présenter – Manar Hammad, Quand le sens n’est pas dans l’ image détruite – Tarcisio Lancioni, Us, and its body – Jorge Lozano, Eulogy of conflict – Anna Maria Lorusso, For an Interventionist Semiotics – Gianfranco Marrone, Marked Semiotics: Tactics and Strategies – Federico Montanari, From Venezia back to Paolo Fabbri. Dan Graham: ‘Mirror Power’ Strategies – Neyla Graciela Pardo Abril, The semiotic landscape of memories in the Colombian post-agreement period – Isabella Pezzini, The Theater of Passions. Anger and enthusiasm in Ladj Ly’s Les Miserables – Maria Pia Pozzato, Verba non volant. Oral expression in the teaching and theoretical reflection of Paolo Fabbri – Franciscu Sedda, The “posterior past” of the new iconoclasm – Pino Donghi, The rigors of imagination. An interview with Paolo Fabbri – Valentina Manchia, Seeing double, seeing beyond. Paolo Fabbri’s gaze on art – Francesco Mangiapane, Being Paolo Fabbri, Marked.
