Volume 12: Issue 01: 2026
Semiotics of Dancing

Edited by: Valeria De Luca

 

Journal of Semiotics Volume 12: Issue 01: 2026. Semiotics of Dancing

Punctum. is a blind peer-reviewed, on-line journal dedicated to the semiotic study of contemporary cultural texts, practices and processes, published by the Hellenic Semiotic Society, member of the International Association for Semiotic Studies (IASS).

Aspiring to provide a venue for the advancement of international semiotic scholarship, the journal is published twice a year (July & December) in English, although submissions in French and German will be accepted as well. Punctum.’s Editorial Board reflects both its international scope and the diversity of contemporary semiotic research and theory.

Punctum. invites submissions (original research papers, review articles, book reviews) across a wide range of semiotic fields and methodologies on an on-going basis, and regularly puts out calls for special issues with guest editors. The journal’s contents are registered with CrossRef and indexed in Scopus and EBSCO.

 

 

Articles
Valeria De Luca
5-12ABSTRACTPDF

Lucien Massaert
13-37ABSTRACTPDF

Sémir Badir
39-56ABSTRACTPDF

Inna Merkouleva and Tigran Simyan
57-85ABSTRACTPDF

Edgar Vite and Jorge Urueña
87-103ABSTRACTPDF

Michele Dentico
105-126ABSTRACTPDF

Daphne Mourelou
127-149ABSTRACTPDF

Sonia Nikitin
151-166ABSTRACTPDF

Alessandra Randazzo
167-188ABSTRACTPDF

Giulio Galimberti
189-205ABSTRACTPDF

Sergei Kruk
207-233ABSTRACTPDF

Nicolas Chiappucci
235-255ABSTRACTPDF

Silvana Pani
257-271ABSTRACTPDF
Reviews
Costas Canakis
273-278ABSTRACTPDF

Valeria De Luca
279-283ABSTRACTPDF

Georgios Damaskinidis
285-291ABSTRACTPDF

Ilias G. Spyridonidis
293-296ABSTRACTPDF

Keith M. Murphy
297-305ABSTRACTPDF
Full Issue
Valeria De Luca
306 PDF

 

Punctum Semiotics Monographs

VOLUME 2: Nicola Dusi and Charo Lacalle (eds.) Chernobyl Calling. Narrative, Intermediality and Cultural Memory of a Docu-fiction.

(Thessaloniki: Hellenic Semiotics Society, 2024, pp. 187, ISBN 972-618-82184-4-4)

Table of Contents

Nicola Dusi and Charo Lacalle, Cultural memory and the transmedia semiosphere – Giorgio Grignaffini, Chernobyl: A miniseries between fiction and reality – Nicola Dusi, History, drama, retelling: Intermedial realism in Chernobyl – Charo Lacalle, Chernobyl reloaded: Renewing disaster fictional narratives through female characters – Paolo Braga, Events that defy storytelling: Narrative and dramaturgical solutions in Chernobyl – Andrea Bernardelli, “In these stories, it doesn’t matter who the heroes are.” Characters’ construction in Chernobyl – Alberto N. García, Chernobyl and the anthropology of sacrifice – Federico Montanari, History, power, and narrative. Chernobyl is still there – Antonella Mascio, Chernobyl: From nuclear disaster to the television series and beyond – Héctor J. Pérez, Chernobyl: The cognitive value of multiplot aesthetics in contemporary television – Ioanna Vovou, The ‘lifeworld’ criterion in HBO’s Chernobyl: An approach of the intentio lectoris – Renira Rampazzo Gambarato and Johannes Heuman, Transcending the blurred boundaries of Chernobyl.

 

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